the business and craft of writing
Fantasy is probably the most popular of all children’s genres; however much of it is still read and enjoyed by adult readers. One only has to look at the highly successful Harry Potter series to see how much influence this type of writing has. But as a writer you need to be aware of a few facts and conventions of the genre before trying your hand at writing fantasy.
Image courtesy of ginieland Continue reading ‘Writing Fantasy Fiction’
This month’s book is Jed Rubenfeld’s The Interpretation of Murder. For those of you new to The Crafty Writer, once every month or two we discuss a best-selling book from a writer’s perspective. We divide our discussion under the following headings:
I’ll make some initial observations and pose suggested questions for discussion. Some of our regular book club participants are published authors themselves, so it’s a great opportunity to share their knowledge and insight. You don’t have to do anything to join other than pitch up and leave your comments and observations below. If you haven’t got a copy of the book yet you can buy it through The Crafty Writer Bookshop (in the book club category) and we will get a small commission that keeps the Book Club and all the information on this website free. Continue reading ‘Book Club: The Interpretation of Murder’
For all you Crafty Writer Book Club members, we will open again next Saturday to discuss Jed Rubenfeld’s The Interpretation of Murder. That gives you a week to finish, revisit or speed read the novel. For those of you new to The Crafty Writer, once every two months (give or take) we discuss a best-selling book from a writer’s perspective. Continue reading ‘One Week to Book Club …’
In my job as a new writing editor for a commercial magazine I frequently get submissions from people whose basic written English is not of a publishable standard. The same can be said for some students on my creative and non-fiction writing courses. Some of these writers have English as a second language and others as a first. I try to tell them, as kindly as possible, that they are putting the cart before the horse: if they would like to write something that may one day be published they need to get the basics right first. Otherwise, it’s like a fashion designer whose shoddy sewing cheapens what could have been a sensational outfit. Continue reading ‘Do you write ‘publishable’ English?’
Now that I’ve wiped the tears from my eyes, I can finally put together a post on this beautiful book: The Book Thief by Markus Zusak.
For those of you new to the Book Club, we discuss best-selling novels from a writer’s perspective to see what makes them tick. As in the last Book Club discussion, I’ll pose some questions under the following headings:
In my introduction to creative writing classes, I’m amazed at how many people believe that free verse has no structure; the result is a formless offering of words that often leaves the reader unfulfilled or with a sense that something is not quite right. And because there is no predetermined pattern to refer to (eg an abab rhyme scheme) it’s difficult to pinpoint what’s wrong with the poem.
Now while I agree that writers of free verse do not have to conform to the ‘rules’ of set form poetry (eg sonnets, ballads, limerics, haiku etc., each with its own rules of rhythm, rhyme and meter) there is definitely structure. The difference is each poem defines its own structure which emerges from within. If you don’t like the word ‘structure’, consider balance, pattern or cohesion. The tricky thing with establishing your own structure in a poem is that you have to ‘teach’ your reader how to read it, and, once established, you need to continue with it – or subvert it, but more of that later. Continue reading ‘How Free is Free Verse?’
The Crafty Writer has managed to persuade accomplished poet Joan Johnston to write a series of posts in which she will introduce readers to the beautiful art of poetry and encourage you to pick up a pen and sketch pictures with words. This month, Joan talks about the importance of listening. Continue reading ‘Poetry: are you listening carefully?’
Welcome to the very first Crafty Writer Book Club discussion. As promised, we’ll be looking at Val McDermid’s The Grave Tattoo from a writer’s perspective. I’ll get the discussion rolling by posing a few questions or making comments relating to the following:
Writer’s block can halt productivity for days or merely hours, but it can be broken with positive action and a deliberate motivation to do so and a few techniques.
I was planning on writing a post on the mythical Writers’ Block, but another blogger beat me to it. Check out this great article on Breaking the Block by Neil Dixon:
You may also want to visit Neil’s new initiative, which looks like it’s going to make a positive contribution to the writing blogosphere. I particularly like his realistic approach to writing and publishing by refusing to lead people into believing that they too can be the next Dan Brown.
It’s a new year, so time for a new initiative: the Crafty Writer’s Book Club. Unlike most other book clubs or reading groups, this will focus on learning the business and craft of writing.
At the beginning of each month we will nominate a book to read from the current bestsellers’ lists, then, at the end of the month we will discuss the book and see how the author put together a top-selling product. We will look at creative writing techniques such as plotting, characterisation, style and structure and see what we can learn, as well as considering the book’s genre and market placement. Although I will be leading the discussions, my hope is that you all will be willing to contribute and that we can learn from each other’s views on what makes (or does not make) the book tick. If you have not already done so, you may want to work through my free Introduction to Creative Writing course, which will give you a foundation from which to start commenting. Continue reading ‘Crafty Writer’s Book Club Launch’
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