Archive for the 'finance for writers' Category

Making Money as a Writer

Published by
Fiona Veitch Smith
at 26 March 2018 in Business of Writing, finance for writers and Freelance writing. 0 Comments

Sixteen years ago I left my full-time job as a journalist with the intention of taking up a career as a creative writer. What I naively didn’t realise was that I would never again earn a full-time salary with pension, holiday or sick pay. My earnings now are cobbled together from multiple sources and, like every other freelance I know, a good chunk of my time is spent sourcing income streams and pitching for paying work. Here are some of the many ways I try to earn money from my writing:

Advances

Most commercial publishers offer an advance once a book has been accepted for publication. If you are fortunate enough to get that manuscript taken on and published, you should be paid something in advance. This is usually split into 2 payments: on acceptance of MS and then on publication. What the advance is varies from publisher to publisher – and author to author – and can be anything from hundreds to thousands of pounds. The advance must then be ‘earned back’ by the publisher through sales of your book before royalties start to be paid. (Note, sometimes very small publishers offer a royalty-only deal. The down side is you don’t get anything up front, but you start earning on it as soon as books start to sell.)

Royalties

Royalties are an agreed percentage of the profits. This again varies from publisher to publisher, but they average 10 – 12% for print books. Ebooks pay a royalty between 25 – 40%. For children’s books with illustrations, royalties are split equally between the author and the illustrator, so you will only get half what you would get for an adult book. Royalties for books published through co-publishing or self-publishing service providers (eg Create Space, Matador, Instant Apostle etc) – where you cover the costs of publication yourself – the royalty rate is considerably higher (30 – 60%). Remember, conventional publishers don’t ask you to pay anything towards the cost of publication, so have to recoup that from sales before they pay you. I currently have books with three different publishers. Two of them pay royalties twice a year; one of them pays once a year. My self-published book via Create Space pays out once a month.

PLR & ALCS

If an author’s book is borrowed from a library in the UK or Ireland, the author is paid a small fee (around 8p). Authors need to register their books for Public Lending Right (PLR). Note authors must live within the European Economic Area to qualify. Payments are made once a year. More information here. Money can also be earned when your work is photocopied or used under some kind of copyright licence. This is collected by the Author Licensing Collection Service (ALCS) and paid twice a year.

One-off fees for articles

If you write freelance articles for periodicals, magazines and newspapers you will be paid a flat one-off fee. This differs from publication to publication and is negotiated up front. Sometimes ezines and blogs pay for content too, but not always. Articles and contributions to anthologies and booklets also qualify for ALCS payments, so don’t forget to register them.

Appearance / workshop fees

Authors are sometimes asked to give talks at various events. Payment for these things is patchy. Sometimes a fee is offered, sometimes not. The Society of Authors encourages authors to always ask for a fee. It’s up to you whether you are prepared to do it for nothing or not (for a charity for instance). But you should always ask for an opportunity to sell your books at the event.

Amazon affiliate programme

Amazon offer a commission on books sold via your website if you sign up to their affiliate programme. These are not just your books, but any books (or products) that you link to on your various websites or social media platforms. I get paid monthly for this. More information here.

Google Adsense

You can allow Google advertising on your various websites. How much or how little is up to you. You can also request the removal of any ads that you do not like. I get paid monthly for this. More information here.

Fiona Veitch Smith is a writer and writing tutor, based in Newcastle upon Tyne.. Her mystery novel The Jazz Files, the first in the Poppy Denby Investigates Series (Lion Fiction) was shortlisted for the CWA Historical Dagger award in 2016. The second book, The Kill Fee was a finalist for the Foreword Review mystery novel of the year 2016/17, and the third, The Death Beat, is out now. Her novel Pilate’s Daughter a historical love story set in Roman Palestine, is published by Endeavour Press and her coming-of-age literary thriller about apartheid South Africa, The Peace Garden, is self-published under the Crafty Publishing imprint. Her children’s books The Young David Series and the Young Joseph Series are published by SPCK.
http://fiona.veitchsmith.com
www.poppydenby.com
www.youngbibleheroes.com

Creative Writing bursary

Published by
Fiona Veitch Smith
at 2 July 2012 in Announcements, creative writing and finance for writers. 0 Comments

If you’re 25 or under, you may qualify for a bursary to study masters’ level creative writing at the University of East Anglia. I did a MA at Northumbria University in 2005/6 and have never regretted it. Here is some more information on the creative writing bursary. If you’re wondering whether or not a MA is for you (and you don’t have to be under 25 to do one!) there is an oldish but still enlightening article on it in the Guardian – are creative writing courses worth it? And if you can’t afford a course in terms of time or money, some of the things you will learn in an MA course can be found in my free online creative writing course.

What do writers earn?

Published by
Fiona Veitch Smith
at 6 April 2011 in Business of Writing, finance for writers, Freelance writing, journalism, poetry, Publishing and Scriptwriting. 0 Comments

In my university writing classes my students frequently ask me what they can expect to earn. Well this varies depending on the kind of writing they intend to do.  Below, I have outlined the main areas of work for a writer. Note these are British rates. For American writers please consult the Writers’ Guild of America. For other writers, consult the relevant writing body in your country. Note too that I am not covering copywriting or business writing in this discussion (ask your favourite search engine instead). Continue reading ‘What do writers earn?’

Tax status of writing competition awards

Published by
Fiona Veitch Smith
at 30 March 2011 in Business of Writing, finance for writers and Freelance writing. 0 Comments

As the end of the financial year is looming I’ve been wondering whether or not I need to declare my very nice cheque from the People’s Play Award as taxable income. Asking my writing friends and searching the internet has not made it any clearer. Some say awards or competition prizes are exempt for tax purposes. Some say only ‘occasional’ awards are exempt – whatever that means!

the-writers-handbookThe Writer’s Handbook tells me that ‘most prizes and awards are not taxable, though it depends on the conditions in each case’. But it doesn’t specify what these ‘conditions’ are.

I then found a helpful thread on the British Comedy Guide which says that the tax man differentiates between ad hoc wins and prize money earned by people who pursue writing as a ‘trade’. So I’m beginning to get a bit worried.

I then decided to bite the bullet and call the HMRC. They directed me to their website which gives me a very clear answer. The key it seems is whether or not the award is ‘solicited’. If I didn’t enter my work into the comp and they just decided to give me the award (such as the Booker Prize; Best Young Playwright of the Year award – not that I’d qualify for that anymore!) then it would not be taxable. So damn, I’ll have to declare it. Grrrrrrrrrrrrr.

If you would like to find out more about managing your writing earnings, please see my post on finance and tax for writers. Please note this article was originally written for freelance magazine writers, but the same rules apply to people submitting fiction or any other form of written work for remuneration.